Wars are really not very difficult to create against a background of political apathy.  They are created by means of some rather simple manipulations by which a basically loving people can be dragged into war, and 'guided' by hate against an imaginary oppressor to commit national suicide.  This is possible, because the motive that is exploited for this treachery is love.  The power of love can be misused to stir up a deep concern for the 'oppressed,' and consequently a deep hatred for the oppressor.  Communism is an ideal subject to drag a nation into combat over.  Communism is controversial and at one time was sufficiently available to provide ample opportunities for staging conflicts.  This is how the Vietnam War was escalated.  Whoever plays on love as a means to start wars is likely to succeed, but what is more important, in doing so, he has opened the door to the destruction of love which the Vietnam War has powerfully illustrated.

The next thing you need to do, once you get a war going, is to escalate it in leaps and bounds, both in number of combatants and in the brutality of its execution.  The brutality is especially important, for it sets the stage for your intended attack on love which is the prime object of the game, if the aim is the inner destruction of a nation.  Most nations recover quickly from physical destruction, but not so from the inner destruction, the destruction of its love.  This wounds, which are far less tangible, are much more difficult to heal.

In order to effect the destruction of love, vivid pictures of the brutality of the war have to be brought home into the living rooms of the targeted nation in order to effect the deep reaching demoralization of the public conscience that is required for any meaningful destruction from within.  The whole war needs to be directed towards this end, in order to hit deep at the moral conscience of the human human being, generating disgust and self-condemnation within the society or nation for what it has done or is doing.  Naturally, there will be true heroics and immense personal sacrifices brought to the surface, as is the case in any war, but you hide those wherever possible.  You must never forget that you are engaged in this exercise by the oligarchy for the task of destroying patriotism, and love.

The actual murdering that is needed to inspire the demanded destruction of love from within, is not dependent on any specific locality for the war to be played out.  It is ideally located at some hidden place in the far corners of the world that is somewhat unrelated to the daily affairs of the intended victims that are actually quite save in their fine houses, remote from any physical threat, who are, then, quite unaware that they are in fact the target, to be systematically destroyed from within.

Since you are preparing this game plan for the oligarchy, which is immensely rich in financial resources, it should be easy to arrange the communications aspects that convey your mental weapon of destruction into the living rooms of your victims.  Besides that, the oligarchy already owns most of the media for exactly such purposes, just as Adolf Hitler owned the media in his days.  This already prepared capability leaves you free to consider the next escalation of your war, which is equally as important as the first stage.

What you need to do once the war is in full swing, is to stage a secondary subversive war on the home front, which is focused on destroying the younger population of your victim, those who are too young to go to the actual theatre of fighting, but which would be the population that would be called upon for the reconstruction work after the war.  This potential for a revitalization, you will want to disable.  The best way to do this, is to create a peace movement as a counterforce against the foundation of society on which love is founded, both to destroy it, and to set up the background that is required to brand the returning veterans not as heroes, but as criminals of war, thus turning them effectively into outcasts of society.

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Stories about  Sex from novels by Rolf A. F. Witzsche